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Memberships
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Premiere Annual Membership
ANNUAL MEMBERSHIPS
$200 – Premiere (7 tickets including a Pipeline Pass) 
Standard Annual Membership
ANNUAL MEMBERSHIPS
$100 – Standard (3 tickets including a Pipeline Pass) 
2024 Pipeline Pass


See all the exciting new works in WP's 2024 PIPELINE FESTIVAL! 

1 pass gets you 1 ticket to each new play. Please email tickets@wptheater.org if you need to change your tickets.

The $60 Pipeline Festival Hero Pass comes with a punch card. When you see all 5 shows, exchange the card for a little Pipeline Swag! 

Smash Glass Ceilings - See Every Pipeline Show! 



Malicious Compliance | April 4-6
by Amara Janae Brady 
directed by Julia Sirna-Frest
produced by Praycious Wilson-Gay

Mo and Yuri sit under an almost non-existent potted tree named Beckett, waiting impatiently for the next phase of their career—the next part of their journey. Delores sings a song about the blood the land craves, a callous warning that the blood is the only thing that will allow them to ascend to the glory Mo and Yuri believe is possible. Inspired by Waiting for Godot, Malicious Compliance tells the story of two artists desperately waiting for a change that may cost more than they’re willing to give, or worse may never come.




OK | April 11-13
by Christin Eve Cato
directed by Jordana De La Cruz
produced by Barbara Samuels




A cast and crew of Latine performers prepare for a non-union bilingual production of Rodgers and Hammerstein's Oklahoma, playing at a regional theater in Oklahoma. When one of the leads discovers she is pregnant and gets her abortion appointment canceled, they band together as they navigate a post-Roe America. In their dialogue comes revelations about their careers, their personal lives, and their relationship with a society that has become desperate to discount their own humanity.


Blackbirding | April 18-20
by Queen Esther
produced by Alverneq Lindsay

Accompanied by banjoist/guitarist Ayodele Maatheru (Paradise Square, Shuffle Along, Lackawanna Blues) Blackbirding – a solo show steeped in lost history, ephemera, ghost stories and folklore, storytelling and original reclamation driven Americana – is a requiem for America's neverending Civil War and the promise of Reconstruction tangled in a Southern Black feminist vernacular. 



When The Other Mary Celeste Sank: A Strange and Umweltian Tale | April 25-27

by Amina Herny
directed by Ran Xia
produced by Emma Orme



Marooned on the coast of an island after a shipwreck in 1894, five women must work together to survive in a strange, new world. As they hunt for food and water while battling the relentless insects, each woman develops a deeper understanding of what it means to be human. Some of the women want to build a boat so they can attempt to go home; others want to build a shelter in what they consider their inevitable new home. A conflict over a knife leads to a startling conclusion, one that causes nature itself to take notice. When The Other Mary Celeste Sank: An Umweltian Tale is a theatrical fairy tale that uses language to explore what it means to be brave, what it means to be strong, and what it means to be human.


The Cause | May 2-4
by Else Went
produced by Dina Vovsi



In this house of mirrors, a group of actors and a director gather at newly formed artist residency, The House Upstate, for a week-long workshop development of The Cause, a new play about a group of actors and a director who gather in a house upstate for a week to shoot The Cause, an experimental film adaptation of Othello. As daily rewrites from an absent playwright elevate coincidence to paranoia, jealousy and desire fill the rehearsal room thick as the nightly mist in this quiet, empty town.